Dr. Maynard is the Founding Executive and Artistic Director of the Puerto Rican Cultural Center, founded in 1997 as a nonprofit 501(c)(3). It is the only cultural center in Texas and the Southwest affiliated with the Institute of Puerto Rican Culture for the offering of authentic, high-quality cultural programming. As the visionary since the cultural center's inception, her Executive duties span every responsibility required by a nonprofit Senior Executive. She is the Founding Artistic Director of PRFDance's cultural arts programs and performing company of dancers and musicians. Since 2001, achievement and quality has been validated by repeat support by the National Endowment for the Arts, including an NEA Chairman's Award (2007), the Texas Commission on the Arts, the City of Austin through the Cultural Arts Division, and Humanities Texas (since 2011).
Dr. Maynard is an expert resource on the Mainland for Puerto Rico's cultural history and heritage. Since 1998 she has been trained in oral history and ancestral traditions by patriarchs of Puerto Rico's heritage based in native Taino, Spanish, and West African roots. Each year she returns to La Isla for research and mentoring from elders and generous Puerto Rican masters with whom she has co-directed and shared the stage including (+ means ongoing): Modesto Cepeda (1998+), Joaquin Nieves Caldero, Director of Guateque Ballet Folklorico de Puerto Rico (1999+), Tata Cepeda (1999+), Eric Gonzalez & Raul de la Paz of Gibaro de Puerto Rico (2001+), Los Pleneros de la 21 (2002), J. Emanuel Dufrasne-Gonzalez and Nelie Lebron-Robles of Paracumbe (2002-2007), William Cepeda with AfroBoricua (2005), El Concilio Taino (2007+), Los Tambores de Felix Alduen (2009), Tito Matos, Director of Viento de Agua (2011+), Raul Ayala y Los Hermanos Ayala (2012+), Orlando Laureano with Jovino Gonzalez (2013+), Jorge Emmanuelli Nater (2014), and Ricky Villanueva (2015). She has taken workshops in folkloric drum making with Papo DelValle and Juan Fuentes (2004/2007).
In addition to her ongoing training by Puerto Rican masters, Tekina-eirú studied a variety of classical dance forms in New York and Austin, including ballet and jazz; but her favorite memories were character dance performance roles with Austin Dance Ensemble (Arletta Howard-Logan). Her move to Texas in 1992 opened a new world of Mexican folkloric dance, where she trained with Roy Lozano, Chuy Chacon, Raymundo Guzman, and Jaime Guerrero (Monterrey, MX). Her past credits include mainstage performances on the Paramount and Zilker Hillside theatres with the Roy Lozano's Ballet Folklórico de Texas professional company (1993-1997). She co-choreographed and performed in the Cenzontle music video "La Bruja," dedicated to the folklore of Veracruz, Mexico (1998). Dr. Maynard was named the Austin YWCA Woman of the Year for Arts (2005), and was recognized for her contributions to the Taino community with Areito Award for Dance and Theatre (2009).
Tekina-eirú is a choreographer and teacher of traditional dance, music, games, culture and history to preschool through professional adults. She is a multi-disciplinary performer and plays a variety of instruments including folkloric percussion, strings, and indigenous flutes. She began taking piano lessons at age 5, and in graduate-school studied classical piano with Russian concert pianist Natasha Snitkovsky. She learned folkloric percussion on barriles, panderos, and maraca with Bomba Patriarch Modesto Cepeda. At age 11 she taught herself to play guitar, and in 2013, decided to be true to herself and relearned to play -- as a lefty; she continues advancing with flamenco guitarist Isai Chacon (Director of A'lante Flamenco). Tekina-eirú enjoys composing indigenous music on Taino earth clay and bone flutes to the traditional rhythms of her Taino pueblo, and songs accompanied by guitar in Jibaro-style fused with Taino language. She rarely leaves home without a ceremonial maraca.
Thanks to her great mentor, Rupert Reyes, Director of Teatro Vivo, Tekina-eirú s has learned to move the stories in her heart to the stage. Since 2004, Tekina-eirú has enjoyed creating original, trilingual (English/Spanish/Taino) plays based in oral history. Featuring live music and dance, they bring preserve untold stories and honor unsung heroes. Her works have included: "Pirates of Puerto Rico (2004)", "Puerto Rico Ever After (2004)", "Puerto Rico Mi Patria (2005)", "Piragua Man (2006)", "Angelito Borincano (2007)", "The Journey Back (2008), "Pa Mi Gente (2009)", "500 Years (2010)", "Boricua Beisbol (2011)", Mami Boricua (2012), Boricua Spirit (2013), Expreso Pony de Boriken (2014), Mi Tierra Boricua (2015), and her newest, Borinki Soy (2016).
Dr. Maynard complements her indigenous training and life experiences with professional development in holistic, integrated health and healing, stress management, and ecotherapy. She enjoys sharing Nature's timeless wisdom through her published book and interactive workshops based in Taino spirituality -- When Nature Sings: A Taino Journey. Her keynote talks and workshops combine nature-centric inspirational anecdotes, original photography, live Taino flute music, and original songs on guitar. Participation in music-making and role playing share insights, encourage meaningful discussion, and provide "tools" to take home that can be used in everyday life. Her workshops serve all ages and interests, and teach "Healers" -- from caregivers to licensed professionals (TX CEUs)-- a powerful way to renew themselves through a connection to Nature. These works were developed with support of the National Endowment for the Arts, Texas Commission on the Arts, Mid-America Arts Alliance, City of Austin Cultural Arts Division, and Humanities Texas with umbrella support from La Pena.
Puerto Rican music and dance has always been a very special part of Tekina-eirú's life. She is very proud to share the joy of rich traditions with her community, and hand down cultural heritage to the next generation!
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